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If you're serious about filmmaking or want to take your video work to the next level, the FUJINON MKX18-55mmT2.9 is worth trying. Designed specifically for FUJIFILM X Series cameras, this lens offers the precision and control that professionals demand. Whether you're shooting a cinematic short, a documentary, or high-end commercial work, its constant T2.9 aperture and smooth manual controls give you the creative flexibility to achieve beautifully cinematic results.
Trying it out lets you experience how it handles, how smooth the zoom and focus are, and whether it fits into your workflow before committing to a purchase.
| Description | Quantity |
|---|---|
| Back Cap | 1 |
| iM2306 Black Flight Case | 1 |
| Lens Hood (With Cap with short black thumb screw) | 1 |
| 82mm Lens Cap | 1 |
| Black Thumb Screw (on Lens) | 1 |
| Silver thumb Screw | 1 |
| Short Black Thumb Screw | 1 |
| Monopod Mount (with 2 x Black Thumb Screws) | 1 |
Far more has gone into the MKX50-135mmT2.9 than an everyday optic. It comprises 22 elements in 17 groups, including two Super ED and two ED. This design facilitates picture-perfect resolving with effective reduction of common cinema lens flaws.
With its constant T2.9 aperture and 76-206mm full-frame equivalent zoom range, the MKX50-135mmT2.9 makes production a breeze. The need to switch lenses or rearrange camera position and lighting is reduced, allowing users more time to create on sets and locations.
The MKX50-135mmT2.9 features three manual rings for control of aperture, zoom and focus – each with an industry-standard 0.8M gear pitch for broad compatibility with remote servo units. The focus ring rotates 200° for precision handheld focusing down to 0.85m at the wide end.
Even with its top-end cinema build and functionality, the MKX50-135mmT2.9 has been kept compact and lightweight for its class. At a size of 87x206.6mm and weighing just 1100g, filmmakers are unrestricted. The lens won’t greatly offset an X Series body and features a removable foot for balanced mounting.
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